The UW ttyp0 Fonts: Frequently Asked Questions

# The UW ttyp0 Fonts – Frequently Asked Questions

## Table of Contents

- Installation
- Display Problems
- Font Styles and Sizes
- Design Issues
- Glyph and Script Coverage
- Character Encodings and Linux Codesets
- Character Input
- Powerline
- Licensing
- Font Naming
- Will you ...?

## Installation

### The source of UW ttyp0 is in bdf format, which is then compiled in two steps into other formats such as pcf or otb. Are precompiled versions of the fonts available?

Not from me. UW ttyp0 has a large number of configuration options, but that is possible only if the final files are compiled from the source. With precompiled versions, this flexibility would be lost.

### Should I generate pcf fonts or otb fonts for X11?

On some systems, pcf is not supported anymore, so that otb is the only choice. On systems that support both font formats, pick one, try it, and if you notice any display problems (wrong spacing, misplaced accents, etc., see below) try the other one. The choice may depend on your terminal program or editor; it seems that some of these programs have quirks that manifest themselves only with one of the font formats, whereas the other one is not affected.

### Why do you generate individual otb fonts for each size and style, rather than one regular, one bold, and one italic font, where each of them contains the bitmaps for all the available sizes? The otb format is supposed to support that.

In theory, otb is supposed to support bitmaps with different sizes within one font file; in practice there are significant problems, see for instance https://bugs.gentoo.org/728308#c5 or https://gitlab.gnome.org/GNOME/pango/-/issues/477. Opentype collections (otc) might be better suited for that purpose.

### Are there ports for $OPERATING_SYSTEM?

As far as I know, there are packages for Alpine, Arch, Gentoo, NixOS, openSUSE, and SourceMage Linux, and for FreeBSD, NetBSD, and OpenBSD. If you are familiar with packaging and if you'd like to prepare such a port for another system or distribution, drop me a note.

### What should I use to edit `VARIANTS.dat` and `TARGETS*.dat`?

These files can be edited using any text editor, for example emacs, vim, gedit, kate, nano, or notepad. Do not use a word processor, such as LibreOffice Writer or Microsoft Word.

### I edited `VARIANTS.dat` and `TARGETS*.dat`, but now I get syntax error messages when I run make.

The directory `backup-config` contains backup copies for `VARIANTS.dat` and for all the `TARGETS*.dat` files. Copy them to the main directory and try again.

### I get an error message when I try to install the 40px Linux console font.

The framebuffer console is a part of the Linux kernel, and prior to kernel version 6.9, it accepted only fonts with a maximal size of 32 x 16 pixels. You may have to wait until your Linux distribution switches to version 6.9, where this restriction has been removed.

### I need the compiled bdf fonts of UW ttyp0, rather than the pcf or otb fonts. How do I get them?

Edit `TARGETS.dat` and `TARGETS_BDF.dat` to get bdf fonts, then type `make`. The compiled bdf fonts are stored in `genbdf`.

### I don't have `make`. What can I do?

That means that you are not using anything Unix-like, right? For MS Windows, you might use Cygwin. Alternatively, try this:

        perl bin\bdfmangle bdf\t0-12.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-12-uni.bdf
        perl bin\bdfmangle bdf\t0-12b.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-12b-uni.bdf
        perl bin\bdfmangle bdf\t0-14.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-14-uni.bdf
        perl bin\bdfmangle bdf\t0-14b.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-14b-uni.bdf
        ...
        perl bin\bdfmangle bdf\t0-40.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-40-uni.bdf
        perl bin\bdfmangle bdf\t0-40b.bdf VARIANTS.dat mgl\unicode.mgl > genbdf\t0-40b-uni.bdf

This should at least give you the Unicode bdf versions of the even-sized fonts. For the odd-sized ones, it's unfortunately more complicated, you need something like

        perl bin\mkshallow bdf\t0-12.bdf > za
        copy /b za + bdf\t0-11.bdf zb
        perl bin\bdfmangle zb VARIANTS.dat mgl\unicode.mgl > genbdf\t0-11-uni.bdf

and analogously for the other sizes and styles. (Disclaimer: This is untested. I don't use MS Windows.)

### What about other font formats (e.g., fon)?

There are free tools to convert bdf into other formats (e.g., fontforge, bdftofon). UW ttyp0 is free software: you may convert it to any font format you like – but you'll have to figure out yourself how to do it. My own experience with these tools is close to zero.

### I tried to convert the Unicode bdf file to a Windows bitmap font using bdftofon, but I got an error message.

Unfortunately, the MS Windows bitmap font formats have a hard-coded size limit: All character codes in a .fnt must be in the range from 0 to 255, so it only works for 8-bit code pages. A .fon file is essentially a collection of .fnt files, so it has the same restriction. If you want to use UW ttyp0 with Unicode encoding under MS Windows, you must convert it to a bitmap-only Truetype font. That should be possible in principle, but it seems to require some insider knowledge. (I tried it myself using fontforge, but without success.)

### I want to convert UW ttyp0 to some other font format. Do I have to go through the installation process first, or can I just use the source bdf files in the bdf directory?

You must run the installation routine first. It will convert the source bdf files (in the bdf directory) to bdf files that use a standard encoding such as Unicode (in the genbdf directory). Afterwards you can convert the latter to the desired font format. The source bdf files themselves use a proprietary encoding that is neither documented nor guaranteed to be stable. These files are supposed to be used for exactly two things, namely (1) font editing and (2) conversion to a proper bdf font using the installation routine. Do not use them for anything else.

### Why do you use some weird encoding and glyph names that are not the standard Postscript names.

Neither the Unicode order of glyphs nor the standard Postscript names are particularly well-suited for font design. As a designer one would like to have something more systematic, for instance all glyphs that share some element should have related names and should come one after another in the font file. UW ttyp0 uses the bdfmangle utility to convert the source bdf files into Unicode (or any other) encoding. If you have an application that really cares about Postscript names (most programs using pcf fonts don't care), you can use fontforge to change the names.

## Display Problems

### When I try to use UW ttyp0, everything looks like gibberish: there are lots of characters that I don't even recognize. What's going wrong?

You have tried to use the source bdf files in the distribution directly, rather than following the steps described in `INSTALL`. That does not work, sorry. The source bdf files use a proprietary encoding and have to be converted into a standard format during the installation process.

### For some characters, the distance to the next or the previous character is incorrect.

Depending on the terminal program, this problem may concern only one font format (pcf or otb); if your system supports both pcf and otb, changing the font format may help. If otb fonts are affected, it may also be useful to install the latest version of fonttosfnt and to recompile the otb fonts. (Earlier versions of fonttosfnt had a bug that resulted in spacing problems in the generated otb fonts. I hope that these bugs have been fixed completely by now.) To test whether characters are rendered as intended have a look at `doc/CheckRendering.txt`.

### Some combining characters (accents, tone marks, or Thai or Hebrew vowel signs) are not displayed correctly.

UW ttyp0 is a bdf font and the bdf format does not provide means for proper positioning of combining characters. Consequently, terminal programs like xterm must handle all combinations of letters and diacritical marks for which no precomposed glyphs are available by naive overprinting. The results are obviously not optimal. If you use a language in which combining accents are often put on top of lowercase letters with ascenders or uppercase letters, `VARIANTS.dat` offers an option to use raised accents (that are less likely to collide with the base letter).

Sadly, some terminal programs do not even get the naive overprinting right. For instance, under Debian Linux 11, KDE konsole often does not put the floating accent on the current character, but rather on the following one, or one row higher, or one row lower than the current one. On the other hand, konsole is actually better than xterm in displaying Thai text, since it makes use of the contextual variants in the Private Use Area, whereas xterm ignores the contextual variants. Sometimes the problems concern only one font format (pcf or otb); if your system supports both pcf and otb, changing the font format may help. To test whether characters are rendered as intended have a look at `doc/CheckRendering.txt`.

### Some characters, such as Latin small S with diagonal stroke (U+A7CD), superscript capital S (U+A7F1), or subscript small Z (U+209F) are rendered incorrectly or are not rendered at all.

UW ttyp0 contains a few characters that were added to Unicode rather recently (Latin small S with diagonal stroke was added in Unicode 16.0.0 in September 2024), characters that will be added in the next version (superscript capital S will be added in Unicode 17.0.0 scheduled for September 2025), and even a few characters that are not yet contained in Unicode but that are likely to be added in the future (Latin subscript small Z has been proposed for addition but has not been accepted yet). The current version of your terminal program or editor may not yet support them.

### In the Linux console fonts, some characters have wrong shapes.

Fonts for the Linux console cannot contain more than 512 glyphs. In order to cover as many languages as possible with a limited number of glyphs, these fonts represent characters with the same or a very similar appearance by the same glyph. That means, for instance, that the Greek Η (Eta), the Cyrillic Н (En) and the Latin H share the same glyph, but also, that the empty set character ∅ may look like the Danish Ø (O with stroke), or that the Yen character ¥ (Y with double horizontal stroke) may look like the Kazakh Cyrillic character Ұ (Y with single horizontal stroke) in some fonts. Furthermore, characters that are not supported by some font may be replaced by their “closest relatives”: If a particular console font does not contain a short rightwards double arrow ⇒ or a long rightwards single arrow ⟶, then showing a short rightwards single arrow → instead is certainly not optimal, but it is typically more useful than showing a space, a box, or a question mark.

### In the 14px versions of the FreeBSD syscons console fonts, the distance between any two characters is too large.

The FreeBSD syscons console supports only fonts with a width of 8 pixels. The 14px versions of UW ttyp0 are originally 7 pixels wide; to be used with syscons, they must be padded to 8 pixels.

### My terminal program renders most Latin glyphs of UW ttyp0 correctly, but uses a different font for other characters, in particular from non-Latins scripts. Why?

If you have installed both the Unicode version of UW ttyp0 and some 8-bit character set(s), it may happen that the terminal program picks one of the 8-bit versions instead of the Unicode version and then takes all the remaining glyphs from some fallback font. In this case, it may help to delete all the 8-bit versions of UW ttyp0 from the installation directory and to keep only the Unicode version.

## Font Styles and Sizes

### What is special about the odd-sized versions of UW ttyp0?

The odd sizes (6x11, 7x13, 8x15, 9x17) are generated mostly automatically from the corresponding even ones (6x12, 7x14, 8x16, 9x18) using the mkshallow script. The source bdf files for these fonts, say bdf/t0-13.bdf, contain only those glyphs for which the automatic conversion from bdf/t0-14.bdf might fail. Note that this height reduction does not work well for certain scripts, in particular Georgian, Armenian, Thai, and pointed Hebrew. Use the even-sized versions instead.

### Will any more font sizes be added to UW ttyp0?

That's very unlikely. A 6x11 matrix is already too small for something like Thai, anything below that would be ridiculous. Above 18x40, I'd recommend to use outline fonts. (The larger sizes have the advantage that hinting in an outline font becomes less important; on the other hand designing a bitmap font becomes more and more tedious).

### What about the missing italics?

In a bitmap font, italics work only (in as aesthetically acceptable way) if certain relationships between the character height, the character width, the stroke width and the inter-character space are satisfied. For 8x16, 14x30, and 18x40 it works, for 9x18 it works at a pinch, for the other sizes it doesn't. Bold italics are even worse. Sorry.

### Will you make a scalable version of UW ttyp0?

No.

### Can I get a font in which some characters are bold or italic, and the others are not?

Yes. Here is an example. Let's say you want to replace parentheses and square and curly brackets in the 8x16 font by their bold versions.

1. First enable the generation of bdf fonts in `TARGETS.dat` and generate the Unicode bdf files for the regular and the bold 8x16 font using `make`. The files are named `genbdf/t0-16-uni.bdf` and `genbdf/t0-16b-uni.bdf`.
2. You need a file that contains the bdfmangle commands for those characters that you want to replace. Use a text editor to create a file `replace.mgl` with the following content:

           PUT PParenL
           PUT PParenR
           PUT PSquareBrackL
           PUT PSquareBrackR
           PUT PCurlyBrackL
           PUT PCurlyBrackR

   The names of the characters can be found in `doc/Charset`. Depending on which characters you want to replace, you can also grep the appropriate lines from mgl/unicode.mgl; for instance

           $ grep 'PUT Gk' mgl/unicode.mgl > replace.mgl

   yields a replacement file for all Greek letters.
3. Use bdfmangle to generate a file that contains only the parentheses and brackets from the bold font:

           $ perl bin/bdfmangle genbdf/t0-16b-uni.bdf replace.mgl > tmp-16.bdf

4. Concatenate genbdf/t0-16-uni.bdf and tmp-16.bdf (the order is important!), filter the result once more through bdfmangle to produce a Unicode bdf file, and replace the old Unicode bdf file for the 8x16 font by the new one.

           $ cat genbdf/t0-16-uni.bdf tmp-16.bdf | perl bin/bdfmangle - mgl/unicode.mgl > new-16.bdf
           $ mv new-16.bdf genbdf/t0-16-uni.bdf

5. If necessary, repeat steps (3) and (4) for other font sizes.
6. Run `make` to generate and install the files in the desired font formats:

           $ make
           # make install

   Note that you can only merge fonts with the same dimensions. Combining characters from, say, the 8x16 and the 9x18 font will not work.

## Design Issues

### Which fonts have influenced the design of UW ttyp0?

I started to work on the 8x15 size in 1992 because I was dissatisfied with the ugly fonts that came with the X Window system. The first version of (the ASCII part of) UW ttyp0 8x15 was essentially a condensed version of misc-fixed 9x15 without the quirks of misc-fixed 9x15. Some characters still show that heritage. The dimensions of the 7x13 size came from the Lucida Sans Typewriter 7x13 bitmaps, and the dimensions of most other sizes followed suit. Many of the ASCII characters are very much inspired by Letter Gothic (except for “i” and “l”, which have bottom serifs, following Courier).

### Some characters in the 11px/12px fonts look odd. Why?

What looks good or not in a low-resolution bitmap font depends highly on whether the font is read from a “small” distance or from a “large” distance. The angular shapes of the lowercase “g”, “m”, and “n” in UW ttyp0 regular 12px look rather unnatural if the viewing distance is so small that individual pixels are discernible:
When the viewing distance gets large enough, however, the lack of curves is no longer noticeable, so that the letters appear to have the standard shapes. On the other hand, when the shapes are made more curvy (take a font editor and try it yourself!), they look better at a small distance, but as soon as the viewing distance gets larger, “m” and “n” appear to be unbalanced, and the hook of “g” is either too close to the bowl, or the bowl looks too small compared to “b”, “d”, “p”, or “q”.
You just can't have both at the same time. UW ttyp0 is designed for a sufficiently large viewing distance.

### In the 15px/16px/17px/18px italic fonts, the Cyrillic letter “в” looks like a Bulgarian “в” (which has an ascender) even if Russian letter shapes have been selected in `VARIANTS.dat`. Why? In Russian italic fonts, “в” is usually an x-height letter without ascender.

If the letter “в/в” in a low resolution italic bitmap font is designed without ascender, it differs from the letter “е/е” only by one or two pixels, and that may be too confusing. The ascender helps to avoid that ambiguity. (In the 30px and 40px italic fonts, the visual difference is large enough, therefore “в” does not have an ascender.)

### Why is there a curly apostrophe (and a curly grave accent)? It violates the Unicode standard.

No, it doesn't. Unicode is a character set standard, not a glyph standard. Whatever it says about glyphs is, quite explicitly, not normative. A font that represents the entire Latin alphabet using German blackletter does not violate the Unicode standard. A font that represents all lowercase letters by uppercase glyphs and uses the same glyph for U and V (following ancient tradition: SENATVS POPVLVSQVE ROMANVS) does not violate the Unicode standard. A font in which U+0027 and U+0060 are represented by slanted and curly glyphs does not violate the Unicode standard either. It's not a bug; it's a conscious design decision.

In fact, what Unicode really says about apostrophe glyphs is the following (Unicode 6.1.0, Ch. 6, Section “Apostrophes”):

> When text is set, U+2019 right single quotation mark is preferred as apostrophe, but only U+0027 is present on keyboards. Word processors commonly offer a facility for automatically converting the U+0027 apostrophe to a contextually selected curly quotation glyph. In these systems, a U+0027 in the data stream is always represented as a straight vertical line and can never represent a curly apostrophe or a right quotation mark.

Note that, for typical applications of UW ttyp0, the assumption above does not hold: No sane person uses a monospaced low-resolution bitmap font like UW ttyp0 for wisiwyg typesetting in a word processor. Anyhow, for somebody who uses proper Unicode quotes (U+2018, U+2019) in a natural language text, the appearance of U+0027 doesn't matter, as long as it can be distinguished from U+2018 and U+2019. (In UW ttyp0, U+0027 and U+0060 are curly and slanted, whereas U+2018 and U+2019 are curly and unslanted.)

On the other hand, the appearance of U+0027 does matter for people who type or read natural language text and who have to deal with data in some 8-bit character set. And for them, a directed curly glyph for U+0027 looks right in some contexts (if used as an apostrophe or as a closing quotation mark), and wrong in some other contexts (if used as an opening quotation mark), but an anorexic vertical stroke looks wrong all the time.

Some people claim that a neutral, vertical glyph is more appropriate for programming. It seems that that the inventors and developers of Ada 95, C, C++, Common Lisp, Eiffel, GNU Emacs, Java, Perl, Smalltalk, the Bourne shell, and TeX did not share this opinion. At least, none of them used a neutral glyph in their language descriptions (Taft and Duff 1997, Kernighan and Ritchie 1988, Stroustrup 1991/1997, Steele 1990, Meyer 1992, Stallman 1997, Arnold and Gosling 1997, Wall et al. 1991/1996, Goldberg and Robson 1989, Bourne 1983, Knuth 1986). So, it's at most a matter of taste. If you don't like the default, get the source, edit `VARIANTS.dat`, and type `make`.

### Using UW ttyp0, I occasionally see “open rectangle” characters that I haven't seen before in other fonts. What is it?

Probably it's a no-break space, U+00A0. In word processing, U+00A0 represents a space at a position where no line-breaks are allowed. Usually it is displayed like a regular space. In programming, however, confusing regular spaces and no-break spaces in a string constant or in some data can lead to nasty bugs, so it's good to be able to distinguish between the two characters. If you prefer a normal space glyph or a visible space that doesn't stick out so much, get the source, edit `VARIANTS.dat`, and type `make`.

### Could you raise the asterisk/center the tilde/lower the underscore/ slash the zero/reduce the angle of the less and greater signs?

These glyphs are already present in UW ttyp0. Get the source, edit `VARIANTS.dat`, and type `make`.

### Could you make these variants the default ones?

Frankly, I don't like to impose my personal taste on other people, but if I can't avoid imposing some personal taste on others, I rather impose my own one.

### Why are some characters in the italic fonts not italic?

Using italics is uncommon for Hebrew typesetting, so italics are replaced by semi-bold. Mathematical operators are never italicized in mathematical texts, so these characters are just copied from the upright fonts; the same applies to dingbats and line graphics.

## Glyph and Script Coverage

### Why does UW ttyp0 not cover the letter X/the script Y?

There any many possible reasons: Because X or Y does not fit reasonably well into a low resolution monospace bitmap font. Because the number of people who need X or Y seems to be extremely small. Because designing X or Y is an awful lot of work. Because I am not sufficiently familiar with the typographic traditions of Y (and note that designing a monospace bitmap font for some script does not only require that one is familiar with the usual appearance of the characters of that script, but also that one knows which distortions (that are necessary to squeeze characters into the pixel grid) are acceptable to native speakers).

### Why does the Linux console character set X cover language Y, but not language Z?

Again, there is a long list of possible reasons: Because X is supposed to cover a particular geographical region and language Y is commonly spoken in that region, but Z is not. Because many speakers of another language supported by X are immigrants or members of ethnic minorities who use also language Y regularly, but not Z. Because language Y has many (native or non-native) speakers, whereas very few people use language Z. Because almost all the letters that are used for language Y are also used for other languages covered by X, whereas Z uses lots of letters that are used nowhere else.

## Character Encodings and Linux Codesets

### Why are there so many Linux console codesets? One needs only a tiny fraction of them to cover all the languages that are covered at all.

It is true that one needs only a small number of 512 glyph codesets to cover all those languages individually (about 15 codesets would probably be sufficient). But the assumption that users need only the characters of just one language does not hold in general. It's not only immigrants and members of ethnic minorities who communicate regularly in two or more languages. Even monolingual people encounter all kinds of accented letters in the names of their colleagues at work, in the names of the players in their favorite soccer team, or in the entries of their music play list. The problem is exacerbated, if they also need math characters, CP437 graphics, or Powerline icons. To cater for those needs, a much larger number of codesets is necessary, even if one restricts oneself to somewhat plausible combinations of languages.

### In my country, many people use the XYZ encoding. Why is it not available for the Linux console?

Because I don't want to add more and more encodings that nobody uses anymore, and because I was not aware of the fact that XYZ encoding is still in use. Just drop me a note. It is very easy to add a couple of further 256-glyph codesets.

### I want to select a particular language in the Interactive Codeset Selector for the Linux console, but the tool does not offer me that choice. Why?

The Interactive Codeset Selector only asks for languages that are supported by some but not all Linux console codesets that are still available. For example, suppose that you have already selected Icelandic. Some of the console codesets that support Icelandic support also Czech, while others don't, therefore the Codeset Selector asks you whether you are interested in support for Czech or not. On the other hand, you are not asked whether you want support for Danish – that would be pointless, since all console codesets that support Icelandic also support Danish. Similarly, you are not asked whether you want support for Tajik – that would be pointless as well, since there are no console codesets that support both Icelandic and Tajik.

### Should one precompile all these font style/font size/codeset combinations and include them in a Linux distribution?

No. But one should make it easy to generate them on the fly if users ever need them.

### I would like to create a private codeset for a particular application. Is that possible?

Yes. It's actually quite easy. Here is an example. Let's say you want to create a 256-glyph codeset called MyC that looks mostly like the WET codeset, except that the Icelandic characters Eth and Thorn (Ð, ð, Þ, þ) are replaced by the card suit symbols ♠, ♣, ♥, and ♦.

1. Copy `mgl/conslinux-256/WET.mgl` to `mgl/conslinux-256/MyC.mgl`.
2. Edit `mgl/conslinux-256/MyC.mgl` using a text editor. Delete the four commands

           PUT LtCapEth
           PUT LtCapThorn
           PUT LtSmlEth
           PUT LtSmlThorn

   and add the four commands

           PUT DSuitSpadeB
           PUT DSuitClubB
           PUT DSuitHeartB
           PUT DSuitDiamondB

   anywhere in the file (the order does not matter). The glyph names can be found in `doc/Charset`. Note that the total number of `PUT` commands must remain unchanged and keep in mind that several characters may share the same glyph: If you delete the Greek capital Gamma from a codeset, you will simultaneously delete the Cyrillic capital Ghe, and if you delete the Cyrillic small Ka, you will simultaneously delete the Greek small Kappa.
3. The file `Makefile.in` contains a section named “non-unicode bdf fonts (Linux console fonts with shared glyphs, 256 and 512 glyphs)”. In this section you can find a two-line instruction for each existing codeset, for instance

           genbdf/%-LC_WET.bdf : genbdf/%-uni.bdf mgl/conslinux-256/WET.mgl
                   $(BDFMANGLE) $< mgl/conslinux-256/WET.mgl > $@

   for the WET codeset. Duplicate this instruction and replace the three occurrences of `WET` in the second copy by `MyC`. Note that the second line of the instruction must be indented with a tab, not with spaces!
4. Add `MyC` to the `CODESETS_CONS_LINUX` line in `TARGETS_CONS_LINUX.dat`.
5. Recompile the fonts using

           $ ./configure [options]
           $ make
           # make install

### I have generated a font for some (not so common) encoding, but some characters are not displayed correctly/not displayed at all. What's going wrong?

Most likely, there is some discrepancy between what you see and what the operating system assumes. The assumptions of the OS and the application about your character encoding are described by a so-called “locale”. The locale defines, among others, which character codes represent letters, which ones represent other printable characters, and which ones represent non-printable control characters. Changing a font does not automatically change the locale. So, if you use a MS Windows CP1251 font, then the code 0x8A corresponds to the Serbian letter “Љ”, but if your locale still says that you use ISO 8859-1, then the OS and your applications still assume that 0x8A is a non-printable control character. You will have to figure out how to change locales (and for more exotic encodings even how to write locales).

## Character Input

### Are there specific keyboard layouts for the X11 or console fonts of UW ttyp0?

No. For languages for which there are working keyboard layouts, these layouts should continue to work with UW ttyp0. For languages for which there are no working keyboard layouts so far, you will have to create one yourself. Note that keyboard layouts for alphabetical scripts are typically designed with a particular language and physical keyboard in mind, not with a particular font or code page in mind. In fact, a keyboard layout that allows the user to enter every character in, say, one of the 512-glyph Linux console fonts for UW ttyp0 is probably inconvenient to use for most languages it covers.

## Powerline

### Can I use UW ttyp0 with the old (not python-based) version of vim-powerline?

Yes, but you have to insert the following lines into mgl/unicode.mgl before running `make`:

        IFUNDEF Flag_ReorderOnly PUTAS DVerCtlBranch DVerCtlBranchOldpl 0x2B60
        IFUNDEF Flag_ReorderOnly PUTAS CtlLN CtlLNOldpl 0x2B61
        IFUNDEF Flag_ReorderOnly PUTAS LtCapF LtCapFOldpl 0x2B62
        IFUNDEF Flag_ReorderOnly PUTAS LtCapT LtCapTOldpl 0x2B63
        IFUNDEF Flag_ReorderOnly PUTAS DPadlockCl DPadlockClOldpl 0x2B64
        IFUNDEF Flag_ReorderOnly PUTAS GPlSepArrowRB GPlSepArrowRBOldpl 0x2B80
        IFUNDEF Flag_ReorderOnly PUTAS GPlSepArrowR GPlSepArrowROldpl 0x2B81
        IFUNDEF Flag_ReorderOnly PUTAS GPlSepArrowLB GPlSepArrowLBOldpl 0x2B82
        IFUNDEF Flag_ReorderOnly PUTAS GPlSepArrowL GPlSepArrowLOldpl 0x2B83

### Some dingbats used by tmux-powerline are missing.

Most dingbats do not fit well into a 6x12 bitmap, and many dingbats do not fit well into any monospaced font. So the dingbat repertoire of UW ttyp0 is somewhat limited, and this is unlikely to change. Please have a look at `doc/Charset` to see what's available and edit the tmux-powerline code to use some alternative glyphs.

## Licensing

### Can I embed UW ttyp0 in software that uses another licence or combine it with such a software?

Yes. As long as the name change requirement in the ttyp0 license is satisfied, the ttyp0 license behaves like a standard BSD license: You may combine UW ttyp0 with other software, free or non-free, you just have to include the ttyp0 license in the documentation.

### Why don't you use a more standard license?

UW ttyp0 is not a full Unicode font, and it's not going to become one. So users may want to merge UW ttyp0 with some other font that provides the required glyphs for, say, Japanese, Ethiopic, or Cherokee. I don't want to prevent people from doing that, no matter what the license of the other font is (even if its non-free). That rules out GPL and SIL OFL.

The only item that distinguishes the ttyp0 license from a plain BSD or MIT license is the name change requirement. While I don't mind if people modify UW ttyp0 in any way they like, I do mind if they publish an “artistically modified” version under a name that creates the impression that it's the original thing, or that I am still reponsible for the result. So the names “ttyp0” (without any foundry prefix) and “UW anything” are reserved. Publishing the derived font under the name “FrankSmith ttyp0” or “MyNuWeirdFont” is fine with me, provided that the copyright notice states who is responsible for the modification (not me!), and provided that the use of my work is acknowledged.

### What do you mean by “artistically modified”?

“Artistically modified” means "modified in such a way that the resulting font is displayed differently from the original ones". If you add new glyphs or edit the existing ones using a font editor, that's an artistic modification. On the other hand, if you edit `VARIANTS.dat` as indicated, convert UW ttyp0 to another character set (without adding new glyphs), port the installation scripts to another operating system and/or convert the font verbatim from bdf to another font format, these modifications don't change the original bitmaps, so they are not artistic ones.

## Font Naming

### What does “UW ttyp0” stand for?

“UW” are my initials. For the “ttyp0” part, we have to go back in history: The UW ttyp0 fonts are primarily used in terminal emulators, such as xterm, rxvt, or konsole. When the Unix operating system was developed in the early 1970s, the standard computer input device was the teletype or teleprinter, a combination of a keyboard and a printer that was originally developed for telegraphy. In the Unix file system, the teletypes connected to the computer appeared for instance as devices `/dev/tty1`, `/dev/tty2`, and so on. The device names were kept when teletypes were replaced by CRT terminals, such as the VT100. The terminal emulators that we have today in graphic user interfaces make use of so-called “pseudo terminals” or “pseudo ttys”: devices that look like oldfashioned VT100-like hardware terminals from the application side but are implemented in software. Depending on the OS variant, they are either numbered `/dev/ttyp0`, `/dev/ttyp1`, ..., or `/dev/pts/0`, `/dev/pts/1`, ..., and so on. So “ttyp0” is (or used to be) the name of the first pseudo terminal in a Unix-like operating system. And of course, it is also a pun on “typo”, as in “typography”.

### How is “ttyp0” pronounced?

“tee tee why pee oh” or “typo”. Choose one.

## Will you ...?

### Will you fix bugs in UW ttyp0?

Yes, sure (provided that I consider them as bugs myself). Drop me a note if you detect anything (from glyph design errors to mistakes in the documentation).

### Will you add more characters to UW ttyp0?

A few individual characters: perhaps, if I believe that there is a real need, if I know how to design the glyphs, if they fit into a monospaced bitmap font, and if I have spare time. New scripts: probably not.

### Will you copy the missing characters for $LANGUAGE from $OTHER_FREE_FONT into UW ttyp0?

No.

### Will you tell me how to port UW ttyp0 to $OPERATING_SYSTEM, how to install it on $LINUX_DISTRIBUTION, how to convert it to $FONT_FORMAT, how to use it within $APPLICATION, ...?

I am not responsible for your operating system, Linux distribution, font conversion program, desktop system, editor, or terminal emulator program, and probably I am not even familiar with it. So the answer is: no. (Usually it's helpful to look for “bitmap font” and the name of your OS/distro/application in your favorite search engine.)

### Will you read my e-mail concerning UW ttyp0?

Yes, if the subject line includes the string “ttyp0”. E-mail messages from unknowns with non-sensical subjects such as “URGENT REQUEST” or “Question” or “Dear Mr. Waldmann” or “” go straight to my spam folder.

Uwe Waldmann <uwe@mpi-inf.mpg.de>, 2025-09-08.